Actor Ranbir Kapoor says he has no problems playing second or even third fiddle to anyone as long as a film's script is good.
He has responded to recent reports which claimed that Ranbir is in two minds about sharing screen space with Shah Rukh Khan in Karan Johar's next film, a period love story. Even while Johar has denied having locked any such script, Ranbir cleared the air from his side too.
"There is nothing that has been offered to me. I don't believe in first lead, second lead, third lead. I had myself done a film called 'Raajneeti', where there was nothing like I am the the first lead or somebody else was second lead. It was a good script and if it's a character that individually excites me first as an actor, of course I do it. But there is no film as such that has been offered to me," said Ranbir.
The actor was present at the DVD launch of "Barfi!" and was also accompanied by director Anurag Basu and actress Ileana D'Cruz.
On the film front, Ranbir is busy shooting for "Yeh Jawani Hai Deewani". Besides that, he will also be seen in "Besharam" and "Bombay Velvet".
Starring Ranbir Kapoor, Priyanka Chopra and Ileana D’Cruz, Anurag Basu’s Barfi! has captured the imagination and the interest of the fans of Bollywood the world over. I have to admit that this is the film that tops my list of movies I really truly cannot wait to see. In the film Ranbir has become Barfi, a charming and mischievous deaf/mute, who has the feel of Charlie Chaplain’s characters and Rowan Atkinson’s Mr. Bean, but of course his own cute, crazy, sweet self. Priyanka Chopra, in what seems to be a fabulous performance if the trailer is anything to go by, is Jhilmil an autistic woman who is Barfi’s friend… Also in the cast of characters is Shruti played by Ileana D’Cruz who Barfi falls for. Shruti narrates this heartwarming tale of selfless love and about finding happiness in the smallest things in life. Directed by Anurag Basu, Barfi! is set to open in theaters on September 14th.
After hearing the lovely music that played in the background of the fabulous Barfi! trailer I could not wait to hear the music for the film. Unfortunately that gorgeous instrumental is not on the album, but music director Pritam surprised me even more once I sat down to listen to the eight captivating tracks. Pritam certainly is trying out some new flavors to tell this tale and it so works. Let’s take a look at the sounds of Barfi!
Now usually whistling in a song really gets on my last nerve, but starting off the title track Barfi, it actually set the mood perfectly for the quirky song that was to come. You hear Mohit Chauhan in a totally different avatar than his full on rocker. This is just a light, bright song with some great instrumentation. Not at all what I expected, but I don’t think Barfi! is going to be anything we are going to expect either. I loved the middle stanza with the guitars backing up Mohit’s energetic, fun inflection. The music is very stylized and I really can’t set it to one genre because I feel that Pritam has taken in lots of influences – in a good way. For some reason I thought of Hawaii but maybe that is just me…anyway it is a great, chirpy track you should check out.
There is also a second version sung by lyricist Swanand Kirkire titled Ala Barfi. It has the same quirky music, but he has a different inflection with a little bit of a rougher tone. Not so “sung” as Mohit’s version and so that gives the song a different feel. In some sections, this is more pared down musically and more percussive but then in others it is more revved up with the addition of some cool musical sections that added to the funky sound. It is cheekier, I think, is all I can say and I enjoyed his rendition too. ‘Barfi’ and ‘Ala Barfi’ are probably not songs you will put on replay, but I think once seen in the film you will say ‘Ooooh okayyyy! Now I get it’. Then certainly you will find later that you will be sitting searching the Internet or editing an article and all of a sudden you will start singing oooohwayyyyyy. (Not that I did that). I see this track accompanying a nice montage of Ranbir ala Charlie Chaplain ala Mr. Bean being Barfi and I can’t wait.
The smooth with a bit of an edge vocals of Nikhil Paul George give the voice for the great Main Kya Karoon. Again a new sound from the composer, this one with a very modern flavor to it. I really wish I could I talk to Pritam to find out what went into his thoughts for these songs. There seems to be so many layers and flavors and they all work. You certainly haven’t heard these tracks before. I love Nikhil Paul George’s voice and sometimes it feels as if he is just riffing and I love it. For me, the back up chorus could have been left out, it was one too many layers. However, I love this song, it just makes me smile so this is a must listen! The video certainly has proved to be a hit with fans!
Kyon is next and from the first strum I thought another happy Barfi! track. Running throughout each of the tracks on this OST is this same feel of a modern intonation, but also a 60s influence to some of the background music that makes them really different and that really shines on ‘Kyon’. Papon is brilliant, love his voice on this song, I actually can’t imagine anyone else singing this great tune. (Did anyone else think of Cary Grant listening to him sing…no, just me? Okay). Sudhini is at her sweet, mellifluous toned best, of course. ‘Kyon’ is just lovely and you should give it a play…definitely gives you a feeling that we are in for some surprises on the silver screen.
The wonderful Rekha Bhardwaj sings Phir Le Aya Dil. Not only are her vocals fabulous, but the music on its own is wonderful, which actually is a bit of a problem. Her classic modulation and deep pitch does not totally match the flow of the music, which I found a bit distracting. The music is mix of different flavors with a very sweet sounding feel. I love the piano and guitar layers with the tinkling tones in the back. To be honest I would rather just listen to the music separately because I loved it. Then hear her sing alone with the deeper parts of the song because I do love her voice. A hit and a miss I would say.
There is also a reprise version of Phir Le Aya Dil, which I liked much better. In fact, this is one of the best on the album for me. Arijit Singh’s vocals are just brilliant and on this version of the song I feel as if the music was deepened to match his voice and it worked so much better. Just love everything about this track, the classic Indian flavored beats in the music with the many layers of percussion and light touches to give it a rich sound. At one point the track transforms to almost a jazzy, classic movie flavor with the piano line and that should seem out of place, but totally does not. This one is really one of Pritam’s best. So many layers and so full of perfect sounds and tones. Just go get it and then be prepared to hit play again. I also think once we see it in the film it will become even more.
Aashiyan, for me, had an Italian or maybe Spanish flavor with its sprightly accordion and flute and the whole overall feeling to the musical arrangement on the track. It is very old-worldy in mood and patina and I think you will know what I mean when you hear it. Shreya Ghoshal has this sparkling tone that just adds so much and is the perfect tone for the music. Also heard is Nikhil Paul George who adds the smooth male vocal, which gives it another layer. ‘Aashiyan’ is great, but at the same time a song that really was unexpected. It will be very interesting to see what is happening on screen, but honestly that is true with every single one of these tracks.
Saawali Si Raat features Arijit Singh again, and again he is wonderful in this more whispery avatar with an extra lightness to his inflections. I would not know it is the same singer if I did not look at the liner notes. He is fabulous. The music is so interesting with so many special little touches to the pretty melodious track. Just a song to get lost in…I did as I was taking notes for this review and had to hit play again. This song is another completely different sound from Pritam who really is showing his incredible range and skill at trying new avenues and reaching for new heights when creating the musical backbone and feeling for the film. I love it!
Saawali Si Raat features Arijit Singh again, and again he is wonderful in this more whispery avatar with an extra lightness to his inflections. I would not know it is the same singer if I did not look at the liner notes. He is fabulous. The music is so interesting with so many special little touches to the pretty melodious track. Just a song to get lost in…I did as I was taking notes for this review and had to hit play again. This song is another completely different sound from Pritam who really is showing his incredible range and skill at trying new avenues and reaching for new heights when creating the musical backbone and feeling for the film. I love it!
Director Anurag Basu has said that since Ranbir’s character does not talk, ‘we have six songs in the film that are used to express the protagonists’ feelings without lip-syncing’. The music is part of the way we hear what they are saying. If I was not already totally intrigued and excited to see the film, after hearing the tracks and reading that quote I really, really can’t wait until September 14th gets here! This not your average film and Pritam certainly has created a sweet sounding mix of songs (sorry had to say it once.) As for a rating, since this is not a “classic hit maker” OST but one that is the voice of the film, I am going to base it completely on how good I think the tracks are, the outstanding quality of the signing, how different a sound Pritam has created and most importantly how they will fit into Barfi’s world and for me that makes it 4 stars!
OUR RATING : 4/5
What goes into your decision of taking roles?
I think I attribute this to be that I’ve been lucky and I’ve been at the right place at the right time. I’m getting the opportunity to work with such eclectic and such brilliant directors that they do half the work for me. I guess more than the audience getting bored of me and typecasting me in a certain way, you know, it’s better that I don’t get bored and I try and do different characters and be a part of different worlds and different movies.
How did Imtiaz approach you for the film?
It was actually the other way round. Three years back, I’d heard of the idea of this film that Imtiaz was making with another actor, but because of certain reasons that film did not materialize and it got shelved. When Imtiaz came three years later to offer another film to me I reminded him of this film and so it worked in a reverse order: I was the one who approached the director to make the film.
First, it was just the opportunity to work with Imtiaz Ali. Second, it was the character and the script itself – it’s a role of a lifetime for me. Actors so early in their career don’t get such opportunities. I’m bloody grateful that I got to be part of this experience! It’s definitely enriched me as a person and as an actor. I’ve made some beautiful relationships on this film. I’m really, really grateful and excited to be part of this film.
Jordan goes through such a change from college boy to someone consumed with the music. Tell us a bit about his journey and your journey playing him.
The guy I play is Janardan Jakkar. He lives in Delhi. He’s from a poor family who live in Pitampura. He studies at the Hindu College. He’s a bit of a wannabe rockstar, he plays the guitar, and he sings a little bit; but he’s very frustrated because he feels nobody is recognizing the music and talent in him. One day in college, somebody tells him that great music and greatness will never come to him if he doesn’t go through a heartbreak or if he doesn’t go through some kind of pain or suffering. So him being this immature bum he takes this seriously and he tries and hits on the hottest girl in college, thinking that she’ll break his heart. In that process they become really friendly. The film is about their journey in the next 8-10 years; what happens in their love story and how their love story is incidental towards his music.
How did you prepare to play him?
Well, you know, firstly he’s a Jat boy so he’s a person I’ve never met. Imtiaz and me felt it was really important to go and live with a Jat family in Delhi, to pick up certain nuances like the way they talk, the way they walk, the kind of clothes they wear, how they are with their families, how they eat food. We went drinking with them. We went dancing with them. It was very important for me to actually feel them and grab some nuances so I could put it in the character. Of course I play a musician, so I had to learn to play the guitar. I’d never played the guitar before, so that was the hard part. I also had the opportunity to go for every music sitting and recording to Mr. Rahman’s place, to see how Mohit Chauhan the singer is singing the songs, to watch the guitarists and how and what cords they are playing. The music somehow subconsciously just seeped inside me. It was easier for me as an actor to portray it once I was on set.
Absolutely, absolutely.
How did you get yourself so deep into the character that you lost yourself?
I think it was just the want to surrender to the sheer brilliance of Imtiaz Ali. All of us, all the actors, musicians, the cast and the crew, we all just wanted to be a part of this film and really surrender to it because Imtiaz was really making an honest film. He was making something which he himself surrendered to so much as well. He really gave himself to the film and we just wanted to do the best of our capabilities. It was a hard and a challenging experience. It was a growing experience. But you know after the film was over it was all worth it.
Was it a hard film to come out of once you were done shooting?
Absolutely! I kind of felt detached from everything, my parents, my friends. After the shooting I guess I felt a little empty because I guess we all gave so much of ourselves to the film that you do go through that experience. I guess as an actor, beyond the box office, beyond the awards and the rewards, it’s instances like that which really makes it all worth it and makes you realize the magic of movies and the power of cinema.
Tell us about working with your co-star Nargis.
It is Nargis’ first film. She’s never acted before. She never knew the language. So it was really hard for her. The way she has approached this character being her first film, she completely surrendered, she really felt the emotions. She didn’t know the craft of acting and because she didn’t know, she didn’t have a preconceived notion. She really had to BE that person and so it has really been a grueling experience for her. I am really proud of the level and the dedication that she has shown towards the film. It has been great.
You said that you had sat in all the music sessions. What was your reaction when you first heard the music?
Do you have a favourite song?
I’m close to all the songs, you know, the ‘Sadda Haq’ and ‘Kun Faya Kun’, but I guess my favourite song is the first song on the CD, ‘Phir se Ud Chala’. It kind of defines the character and defines his headspace. It’s the first song on the film and it’s the first song that we recorded. That song will always be close to my heart.
So what do you think Jordan’s favourite song would be?
I think his favourite song would be ‘Jo Bhi Mein Kehna Chahun’ because that kind of describes him. The lyrics are ‘Jo bhi mein kehna chahun barbaad kare alfaaz mere…’ which kind of means that ‘whatever I’m trying to say my words destroy the meaning of it’ and that I guess explains the character the best way possible.
Looking back over the journey of making Rockstar, how was the experience?
It was great. Just the fact that beyond the acting and the creative satisfaction that one feels, it’s also that I made such beautiful relationships on the film: I made a friend for life in Imtiaz, I got the opportunity to work with A.R. Rahman, with Mohit, with the lyricist Irshad Kamir, with the entire cast and crew. I think above all I got the opportunity to work with my late grandfather Mr. Shammi Kapoor, which was his last appearance.
What do you think audiences are going to love about the film?
Well, you know, that’s very hard to tell. I just hope they give the film an opportunity on the 11th of November. They come to the cinemas and see it. I guess they’ll go through a similar experience that we have gone through. You know, I really don’t know how to hard sell a film. Just the fact that you guys have watched the promos and you have liked the songs – I’m sure the film will speak to another level.
It means the world to me. The fact that I’m talking to you in this interview is only because of them, because of their love and support. I hope that through my movies and through my work I can reciprocate that in any way possible.
What’s next for you?
My next film is called Barfee. It’s directed by Mr. Anurag Basu. It stars Priyanka Chopra, myself and a new girl called Ileana. It’s a romantic comedy set in the 70’s. I play a deaf and mute character, but it’s not a serious film. It’s a fun film along the lines of Charlie Chaplin meets Buster Keaton meets Roberto Benigni kind of a world. So, that should be fun. After that I have a film called Yeh Jawani Hai Deewani, which is directed by Ayan Mukherjee and stars Deepika Padukone and myself.
With that he had to go back to rehearsing for the Rockstar concert! From what I have seen I cannot wait to see Ranbir’s Jordan and see him through the journey his character takes in this film. As he said, it is a role of a lifetime and I think he has taken every moment and made the most of it and it will be a performance to remember. I know I will be in line to see Rockstar on 11-11-11!
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